16th June 2017
1. Fonn Mo Leannan / 2. Fàgail Shiadair / 3. Thug iad a Thung thu / 4. Mo Nighean Donn / 5. Luchagan Àirde Fàillidh ( Jigs ) / 6. An Iarran-Ṃnach / 7. Fil o Ro / 8. ̉ran an Fhẹir / 9. Nam Faighte Long Dhomh / 10. Clann Bheag a' Bhaile A-muigh ( Puirt ) / 11. Till Rium a Leannain
The latest in a venerable family line of Gaelic singers and bards, Calum Alex Macmillan ranks squarely at the forefront of his culture’s contemporary renaissance. With his second solo album Till (a long-awaited successor to 2005’s highly-praised Taladh Nan Cuantan), the Isle of Lewis native and ex-Dàimh vocalist resoundingly reaffirms that status, in material retracing his deepest traditional roots, while simultaneously embracing the present. Till means ‘return’ in Gaelic, denoting the frequent visits back to his family home in Point, a tradition-rich peninsula off Lewis’s east coast, during which Macmillan - currently based in Inverness - gradually gathered songs and tunes for the album. His primary source was numerous kitchen-table sessions with his father, Harris Tweed weaver John ‘Seonaidh Beag’ Macmillan, himself a celebrated singer, and co-founder of pioneering Gaelic group The Lochies. The album title also resonates aptly in English, with its dual sense of cultivation - tilling the land - and of looking forward (‘until’), reflecting both Macmillan’s heartfelt fealty to centuries-old tradition, and his skill at bringing it to timeless yet modern-day life. Produced by Donald Shaw - of Capercaillie/Celtic Connections fame - Till’s sensitively spacious, freshly imaginative arrangements feature such fellow contemporary folk luminaries as Julie Fowlis, Greg Lawson (GRIT), Ross Martin (Dàimh), James Mackintosh (Shooglenifty), James D. Mackenzie (Breabach) and Manus Lunny (Capercaillie). As alluded to above, Macmillan has been singing nigh-on since he could talk, developing his talents and repertoire at both local ceilidhs and the annual Ṃd network of competitive Gaelic festivals. Winner of the coveted National Ṃd Gold Medal at only 18- he triumphed again in the Traditional contest two years later. His parallel prowess on the bagpipes (as featured in Till’s two instrumental sets), resonates clearly through his vocal phrasing and ornamentation, while a potent expressive blend of gravitas and passion, buoyancy and weight, also reveals the uniquely elemental influence of Gaelic psalm-singing, a tradition still widespread during his childhood. Following Taladh Nan Cuantan’s release, Macmillan’s six years with award-winning Highland band Dàimh further honed this exquisitely distinctive artistry, not least in his masterly handling of accompaniment – artistry that now, on Till, attains marvellously mature, transcendently eloquent fruition.